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In these series of artworks the artist engages in a dialogue with the art of Mark Rothko. Tatiana creates a perpetual dynamic flow from Rothko’s color fields, extracting the inner context of each field, and revealing the hidden tones, colors, and relationships between them. Rothko’s color fields were never painted in a single plane; they always contained depth and middle tones. Tatiana takes this further by creating dynamism and interflow between the fields. The geometric construction is in constant movement, with each layer having its own color and transparency level, which changes when overlaid with other layers. The artist aims to show that the painting becomes alive, breathing, and moving.

The artist delves into the philosophical exploration of perception and reality. By transforming Rothko’s static color fields into dynamic, interwoven layers, Tatiana invites viewers to reflect on the fluid nature of existence and the interplay of seen and unseen forces. Each layer represents a fragment of experience, and their interaction symbolizes the complexity of human perception—ever-changing, multi-dimensional, and deeply interconnected. Through this artistic process, the artwork transcends its physical boundaries, becoming a living entity that breathes and evolves with the viewer’s perspective, embodying the constant flux of life itself.

 “BIG RED” reinterprets Mark Rothko’s No. 6 (Violet, Green, and Red) (1951) by transforming its color fields into a dynamic, flowing composition. The artwork captures the subtle interplay of tones and layers, revealing the hidden depths within each field. Through shifting colors and overlapping transparencies, “BIG RED” embodies the fluid nature of perception, inviting viewers to engage with the evolving, breathing essence of the piece as it transcends its static origins.